calligraphy, desert landscapes, odd animal portraits

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Mayday

I spent quite a lot of time the other day posting about my new wall, but for some reason did not show up.  What is that about?  It seems a lot of hinky electronic anomalies are making themselves known lately, I can only hope that some of them work in my favor  .  .  .

Here is the miraculous Red Wall Ann painted for me at the shop.  ‘nuf said,  it makes everything so much more alive.  The landscape on the light table is my painting of the Mesquite Springs Campground (Death Valley) conflated with a Phainopepla–a bird native to Southern Arizona.  The one on the floor is a clash between the Sonora (Saguaro) and Colorado (Spanish Bayonet Yucca) Deserts.

Been so long

I have been up to my neck in screenprinting, wanting to share my travails but not even able to focus on anything but the day-to-day gruel of it.  I have been keeping up on my journal, so it’s not as if I don’t want some communication–just not sure what needs to be out there ?  I’ve even neglected the Possum blog.  More likely, I just don’t want to bum anyone out with the REALITY of going into business by yourself when you 1.  Didn’t expect it 2.  didn’t really want it 3. find that the peeps who were in at the beginning have all but disappeared.   I am stunned by my stick-to-it-iveness, my enormous will to go through the unceasing terror and loneliness and bad odors and uncertainty.

Not many pieces of my own art are really suitable for the medium, but here are two attempts.  The squirrel needs to be redone.  The mask is awesome, but hard to photograph.  It also printed beaulifully on Arches text wove paper in a chocolate-brown ink.  Interesting note:  The zig-zaggy yellow with purple ink pillow on the couch next to Steve is a print I hand-cut and printed at CCAC in 1985.

almond butter ad, squirrel approves

possible silkscreen material, but very fine pencil work doesn’t translate

Steve instantly took a liking to this shirt I printed from an ink drawing of a mask I did years ago.

burning a silkscreen from my pencil drawing takes some adjustment

Photographs

While taking photographs of the shop, I did that thing I have done before, looking through the camera without a spotter, I tripped and fell on my lens.  Alas, I let my warranty run out–but I never liked that camera as much as the one I put in my pocket and leaned on the fender of my truck and  .  .  .  I have been wanting that small credit-card Nikon with the sliding cover, the S100?  with 16 mm and 5x zoom–that would be easier than getting a bigger purse.   The AW 100 is good, too, designed to take a fall or a drop in the    .   .   .   bathtub, or worse.  And the S1200pj–with a projector.  I have always liked that feature.  So, anyway, in homage to my first digital Nikon, coolpix 5600, here are some photographs I took from late 2005 and onward.

Stone in stone, Yosemite

winter sun at Sea Ranch

Last light, Anza Borrego

China Spring near Darwin

In my element--off-kilter-Sequoia

We are the Ones we’ve been waiting for

My neighbors stopped in to remind me.

wisdom of the elders--hopi oraibi elders

We Are The Ones We've Been Waiting For

Now more than ever.

my shop . . .

After a long week of hard work and gardening, I am planning to go to the shop and feel the energy there.  Sticky Art Lab is holding am Sunday classes with the biodiesel folks, bees, chickens, house rabbits.  I don’t know what class is there today, but I intend to go sniff around.  I have shied away from opening the door, it’s all so familiar, but uncertain.  What t-shirts do we have?  Halloween, the Ramones,  miscellany.  All will be revealed in time, after breakfast.

Print Shop

I have spent much of the summer working at Berkeley Screenprint  Company, which I am taking over as of September 1.   I am a printing junky, but this is a very different type of work than I have been doing.  I am not certain yet how I am going to proceed, except to keep it much the same at first.  I have so many ideas, and plenty of room to try them out.  Luckily, the previous owner is still around generating work and helping with the transition. At home I printed‭ ‬ 30 ‬more invitations to my closing show on the Epson 1400—I accidentally printed the same thing on both sides of‭ ‬8‭ ‬of them.‭  ‬Not acceptable‭!  ‬There seems to be a‭ ‬25%‭ ‬failure rate in my printing process,‭ ‬which doesn’t bode well for a print-shop business model.‭ I am using beautiful Staples Mat Brochure paper for business cards. ‭ ‬I printed another batch ‭ ‬with the possum family singers schedule ( Baltic 2nd Thursday/Chester’s 4th Thursday) on back, using Photoshop–  They look great. I spent half an hour trouble-shooting my auxiliary printer which I discovered was jammed due to a tiny rubber snake which had fallen into the platen. ‭  This is not what I meant by bringing odd animals into my work.

cedar waxwing sketch

Dead Squirrel Wrap

I found a dead squirrel, a red squirrel

hands curled, a girl

feet up and tail bedraggled–caught my breath

then, in sadness,

put on another pair of gloves-

not a plastic bag!

a gag

reflex,

revulsion

fear of touching

a dead thing

a sad picture–

A newspaper?

a paper bag, smaller,

just her size.

A tool?  No-

turned her over and felt the weight to ground myself

picked her up, a sleeping face

I slipped her into the

brown paper pillowcase-

inside a small, squirrel-sized shopping bag,

plastic and angel-white–

“thank you Have a Nice Day” in red

carried her to the trash bin;

blessed her life+

sent her on her way.

Hoarding for Earthday

I had a dream of an avalanche of shoes, which became silkscreens, which became art.  What is my unstoppable outflow?  Apparently, so many incomplete canvases that I can’t open my closet door without a refrigerator dolly.  Clearly, I need a Gallery.

Sick in bed the other day,‭ ‬I was fascinated to come upon a marathon showing of a program called‭ “‬hoarders‭”‬.‭   ‬I saw these people’s oceans of stored debris as a fight to keep some small amount of control over beautifully engineered packaging,‭  ‬and manufacturing artifacts out of the landfill–Lest we believe there is an‭ “‬away‭” ‬that allows us to blindly use third-world children as our slaves to save a buck,‭ ‬and throw our sewage into life-giving waters,‭ ‬or believe there is an‭ “‬other‭” ‬that we can bomb off the face of the earth to claim our own purity.‭ ‬   I recognized myself in these people,‭ ‬ victims of a throw-away culture, and their struggle to come to grips with a world of disposable ingenuity‭!  ‬As someone who has studied packaging, I have always collected beautiful wrappings and logos,  jars with interchangeable lids,‭ ‬cardboard boxes of certain reusable dimensions,‭ ‬magazine articles I hope to read someday when the world breaks down.‭   Styrofoam cut to fit fragile,‭ ‬expensive electronics is such a feat of engineering I keep it stored in the box it arrived in,‭ ‬as if some day when I am done with it, I will be able to ship it back to the manufacturer.‭  ‬In fact, the box itself tells me so.

birdnest medicine cabinet

Show at Chester’s

Redwood and Mist/Mint in progress

 

These and four other paintings were on display at Chester’s Bayview Cafe, 1508 Walnut Street at Vine in North Berkeley, June through August 8, 2011.

Check for further deets at possumfamilysingers.wordpress.com

Faint Heart Never Won Fair Phainopepla

Moon by Moth Light 2011

Carolingian

This spring 2011 we studied Carolingian hand, developed around 800 AD under Charlemagne as a common writing hand.  The first piece I completed was a haiku written for my friend Jane by Eric Christian (deceased).  the appellation is in brush lettering.  I signed it with a chop in my initials, which I designed and cut from a vinyl eraser.

This is the original scan with adjustments.