I keep my old iPhone 4 in the Roofing House as a handy little snap-camera to document my daily sketching, and can easily download images to my laptop there.
I have tasked myself with filling my partial sketchbooks. The challenge increased when I was given two small spiral books with tinted paper in olive and mustard. I shouldn’t randomly start a new sketchbook with so many undone, but the colored backgrounds are too tempting.
Haven’t been to the desert in such a long time, I decided to copy a postcard from Mojave National Preserve using caran d’ache watercolor pencils and white Posca pen on mustard sketch paper. Two exposures. I used a waterbrush with a water-black ink mix, pulling dark blue shadow lines from inside the tangles of rocks, cholla, junipers and sage. The photograph loses some of the subtlety of the yucca leaves and shadows.
In mid-June I sketched these little copies of 2 paintings by Andie Thrams, using watercolor, white gouache, and color pencil on olive paper. These shots from my bed in morning light, with the refurbished-iPhone 6 camera.
This is a painting I did around June 16, from a magazine photo of an installation by Patrick Daugherty. White is posca and signo gel pen, on black sketchbook paper, plus gouache and watercolor. Again, so shocking to see the differnce between the painting and the photo. Like digitised music, so lossy! So unsubtle!
Mimi’s toys, thrift store acrylic paints on 9″x12″ canvas panel
On the occasion of our second visit, I did a painting of Mimi’s toys as a thank-you gift. Very limited selection of paints, a fun challenge.
Some drawings of Reality, drawing from photographs, and portraiture.
I’m still not walking, so I am focused on cementing a near-daily drawing practice.
I did get my boots on, though, and went to town last week to get my new phone set up.
I did these drawings in my bound sketchbook of Art Peterson, Carlos (my portrait sketch teacher), and a profile from the Sketchbook Skool workshop. Wow, really difficult.
Years ago — I remember Clamity Jen handing me the sticker on the page that says XXXV, so that is the year 2000 — I started a drawing of the big oak tree at the Browns Valley Aerodrome campground, site of the not-quite yearly Memorial Day weekend music party known as Meadow Muffin.. Layers later, it is finally done. Trees are hard! Until you know how.
Started in 1975 as a birthday party/music festival, MM2000/XXXV was the first year I attended. The Cavepainters played, it was 10 years into my relationship with Stevie, I was not in the band then, and he was singing lead but not playing guitar. The recording of this gig (engineered by Matt Parker) was/is the quintessential Cavepainters recording, with Stevie in fine voice, John Havard and Ed Wray trading leads, Rick Purcell on keyboard bass, Scott-T on drums.
Photo, to follow, somehow. I would put a link here to Travels With Stevie, but there are no photos there, either. Somehow I have to get back into my photo flow, archives, old PC, whatever it takes.
I copied a series of fox and owl studies from my animal character Instructor Kevin W. Marvelous expression of demeanor and life.
I am working at putting together the animal band. There are some jazz cats that live next door when the Brementown Musicians end up moving into a house after a confrontation with some ne’er-do-wells in another town, which is how the story goes. It is a mis-translation, they are actually a singing troupe. I have never seen an indication that they played instruments. However, once they start hanging out in this house there is a porch, and a banjo, and bongos . . . etc. And a white mouserat, with wine. Why not.
week 3, Santa Rosa, CA
Here I am in bed in the guest room at mimi’s house, resting and drawing; or walker-ing to the bathroom, or the breakfast room, to the couch to watch movies, or out to the garden. Mimi likes to take care of us–and Art gets a break from running up and down the house bringing me things.
Did I mention I got x-rays? oy. Two fractures, minimally displaced. What a shock . . after three weeks in bed.
We are the Wholeness. Love, Beauty, Creativity.
CoQ10, Vitamin C, homeopathy.
I asked Mimi for some toys to draw, so she put them all over my bed. I drew the Japanese porcelain cat, the longy-leggy doll, and the bendy frog with Derwent watercolor pencils, in the messy, wrinkly, spiral bound sketchbook. So fun to draw in..
My Instructor KW suggested the Brementown Stuffies should play instruments, so I drew up Alliger pretending to trumpet like a cartoon elephant, and added watercolor, brush pen, white signo pen.
Kids books have alligators.
Here are some Richard Scarry illustrations from, I think, 1951?
Books and toys from Mimi’s collection, except for Aliger, from my imagination.
I am still immobilized by my bad fall and sprain, so celebrating my birthday month in Canyon, passing time with toy animals and cake. We expect to go visit Mimi in a few days so Art can get some downtime. He has been running up and down the stairs to bring me frequent snacks and coffee and other attentions.
Here is a portrait i painted of the new birthday possum I ordered from Mr. Mopps and had Art go to town to pick up–taking umbrage at being asked to play an instruments for Brementown. We are singers, he say, mistranslation.
Here are ideas for a puppy crittur, some cats based on Kevin W. sketches, and two origami pterosaurs to use as models for a predatory character.
On Monday April 26 at about 11 AM I lost my balance, pivoted 180 degrees, and fell into a hole, badly spraining my right ankle. Suddenly I am immobile, and more isolated that before. Luckily I was in Canyon- I tried to crawl but couldn’t move. I yelled and yelled until Art heard me, and came out to lift me up and carry me to the house.
I have been laid up in bed, being taken care of, well fed with healthy food; and, obviously, unable to work. Pluto stationing, heading back into my 11th house, Mercury and Venus piled up on my natal sun- Whew, I just narrowly escaped having to plan a 70th covid-tinged birthday gathering.
I am sketching a bit in my (s)crappy sketchbook, and it is really fun and soothing. I just found this little metal case, very handy for a small drawing kit. No drugs, no pain killers, I just here with my tools and a big freaking cake . . .
My sentiments exactly
I have a number of online classes I signed up for and not done much with. There is one that I have found approachable because the instructor’s demeanor is approachable, mild, funny, not at all intimidating . . . creating animal characters for storybooks. I have some critters around that I am drawing- little bigfoot, my stuffed animals as the Brementown Musicians, and some random animals around the studio.
For a Saturday class with David Pyle last January I bought some more colors, some half pans, and a thrift store snack plate, maybe even a new brush, but heck if I can find the painting I did . . . Gratitude in the small things. Chicken pie, rain, self care. Some things are just too heavy.
Moving forward with the creating animal characters course, it seems to be something I always wanted to do, animal portraits, but, a story? Human portraits, figure drawing, I don’t know. I’m just wandering in the wilderness. The plan for April is to not work so hard.
It’s a painful anniversary. Move along, nothing to see here.
I was gifted a sume-i kit, I just can’t seem to situate myself into doing calligraphy. Something about the edge of this round table, maybe the chair is too low. Enjoying the idea of vermillion. I have other brushes, ink, stone, paper. I had a harsh day, had to use black ink to cover a page in my journal.
Sorting things out is the MOST CREATIVE thing I can do, it reveals lost and forgotten projects and motivations, brings things together that I hadn’t seen before. Cleaning up is what I do best.
Moving studio, moving furniture, it is my true calling. Elderberry, Ashwaganda, all sound good to me, but get ferocious pushback on social media, I just don’t have any desire to associate with humans. Letting go, watching it unfold. Line jumping, parallel worlds, manifesting an upward spiral; I prefer solitude to having my boundaries violated. An online art class, tho, is almost like having a social life, and I can sneak out any time I like. Oops, lost signal, call back later.
I had a lovely hike with my friend the homeopath. We were able to rant and outgas our outrage at the various effects of Stupid19, which seems to have become the new #metoo. Afterward I saw this photograph in a local tabloid and tweaked it a bit. Apologies to George Floyd.
It is astonishing to me how every new mind-control trend sweeps away any and all previous fads, and obliterates discernment in people I once thought anti-corporate and self-autonomous.
The Shattuck Theater re-opened, with re-strictions, so Art and I went downtown and saw a movie- Nomadland. No hot dogs at the concession, and pre-poured, one-size-only popcorn, $6. Here are some items of beauty I found on the street. The chair is what I believe to be in the Eastlake (victorian era) patters, matching the hardware in my house of that period. I intend to reupholster it, sans springs, but saving the horse hair.
I am still not using the Roofing House- too cold and wet. There is very little damage, I got everything out in time, and I like the split, having my watercolors at home, and the more rough materials here. There will be some work to do once the weather dries out.
I inherited a stack of ecru dinner napkins, and last year was playing with acrylic inks. They are so absorbent it is hard to lay down a brush stroke. Maybe they need to be damp. Hmm, that can be arranged. I used flow-aid in places, and some folding and transfer.
also messing around with grayish sky colors.
Against the advice of our keepers, we snuck off to Santa Rosa to visit a mask-free paradise of art and food and friends. The tree, as ever, was crazy spectacular, and YT has a wide selection of fireplace videos. I took a book of Edward Curtis photos, and came back with a large monograph on Monet, and a tiny vintage travel set of winsor-newton watercolors.
Excellent food and drink, hikes, and post-holiday thrifting. The return to Berkeley has been productive. I am mixing media, playing with brush lettering, and touching up old pages.
It has been a long time since I have done any calligraphy practice. I just downloaded some classes, and am starting out by filling some warmup pages. In January I’ll be back at the desk with an oblique pen and some sparkly new inks from Fox and Quills, LA, CA, USA. Until then, happy new year, everyone.
Oh dear, the rains have come, and I am so happy except . . . the Roofing House, nestled as it is in a redwood grove, is damp and dark and suddenly all my sketchbooks and papers and other frail things have to be moved. Again. I brought a stack of books in and wiped down the covers, but tins of watercolors and drawing papers and source materials and sketchbooks need to be boxed up and moved to Essex Street for the winter.
I have some classes lined up to download, calligraphy and figure drawing and portraiture, I can just as easily- perhaps more easily- work from there.
One thing I did this fall was these little maquettes, possible prototypes, like 3D printing, only done by hand. Can’t get a better photo right now with everything packed up, but here is the krop-otkin bumper sticker prototype, and the word “wood” built up from paint to look like wood.
Oh well, upload won’t load. Just as well. It’ll be my little secret
Creative expression- a giant wood pile we converted to a sunny 9.5×10.5′ “patio”, two folding adirondack chairs I found on the street and painted, a rusty sewing machine I wired as a night light; a balsa wood model Spitfire I got from a gardening client, a sketch of a big rat the cat left for us; and my new blue blockers.
There is a strange thing I am experiencing with acrylic paint.
Early in the day on Wednesday September 22 I brushed a glaze of gloss medium and phthalocyanine blue onto an old canvas, and also did some collage with a different bottle of gloss medium.
That afternoon I was using Liquitex chromium oxide green that I had earlier transferred to a jar, and thinned with medium and a bit of local spring water (w/ iron and who knows what else!). The paint in the jar was creamy consistency, but when I put my wet brush in it, the paint on the brush came away clotted, like miniature cottage cheese curds.
I put that aside, put a bit of fresh tube chrome green in a clean dish, and used a clean brush with distilled water- the same thing. I tried a clean, dry brush, other paints, other brands, so far, everything immediately turns to clots.
I am trying to paint without brushes –or painting the clumps out with a stiff brush, as in painting on bare wood which I did last night. In the case of the gold paint suddenly skinning over – no. After a few minutes exposed to air, mixing turned it to a strange solid mass without any sticking power.
So far Palette knives seem ok.
So, What? Extreme heat this summer? dehydration? sunspots? redwood pollen? Three outer planets retrograde in Capricorn . . ? I had used windex on a sheet of glass nearby last week, and am feeling some kind of residue on my hands today.
I am pretty sure ash and resin from the crazy smoke and fires settled on my brushes, activated the polymers and caused them to clump, and/or quickly skin over.
I had seen a similar reaction once when I accidentally put rubbing alcohol in paint. I have a lot of (mostly) old paint, never had this happen before, except thickening through evaporation, often resolved by thinning w/ medium. Old paint just dries up.
So, cleaning all brushes, palettes, rags, glass working surface with clean water.
Meanwhile, cottage cheese might be a fine texture/technique, worth playing with, until I get this sorted, and/or, go shopping.
California is aflame- we went camping but had to head north because Yosemite was booked and the forests were being evacuated. After a smoky and daunting Monday and night at 9600+ feet- -Pacific Coast Trailhead parking at Sonora Pass- -we came home Tuesday, to awake Wednesday September 9 to Mars Stationing in Aries, and a red-orange sky that lasted all day.
“Sinister!” “Apocalyptic!” shouted the headlines– Dorcas posted an interesting article about the scattering of blue light by the amount of ash in the air. There was little smoke at this altitude (600 feet, about) and for me, it was “Beautiful!” “Fascinating!” and that sort of thing. I only wish I’d spent more time out in it, maybe get a blue tan?
more experiments with color- my special simple meatballs and zebra farfalle. the original vodka cream sauce was much more orange, but then I added a can of diced tomatoes. The peas make it, tho.
After months of everything being closed–and getting so much done because of it–a camping trip. We headed up Highway 50 to the American River, looking for an area we had been to before, but couldn’t find it. We pulled into a parking lot at Big Meadow Trailhead as it was getting dark. The campground nearby was closed to traffic, and we weren’t really set up for a hike-in, especially with rain on the horizon. In the morning we took a 6+mile round-trip hike to Round Lake. It started to rain as we returned to the van, –so we spent another night.
Amazing things happened when people kept telling us about LAKES we should visit, and we ended up at three different areas: beautiful Burnside lake, which we hiked halfway around- and I think? hiked this meadow.
Then we drove to Blue Lakes campground, where they had just opened six days before, and according to the Ranger “the bears don’t know we’re here yet”; and we filled all our water containers with clear sweet mountain water.
The next day we drove to South Tahoe to try out a brewery that had outdoor dining, excellent burgers, and couple of tasty beers. We then drove the Blue Lakes backroad to Forestdale Creek, which turns out to be the area the guy at the campground had recommended– we spent the night, and took two longs lovely hikes.
We also had an adventure when Art drove the Westy into a gutter, and a feller came over to share his extensive expertise which resulted in spinning one of my tires bald on slippery granite river rocks before we finally got the van dislodged and parked .
Remember when there were gigs? On a fifth Thursday, we used to be the Polka Cowboys.
On July 17 I got notice to vacate my studio garage. It was such a shock, so unexpected, especially since I had just made headway cleaning up the mess after the dog-crap-and-snarling people had moved out, and able to get into the swollen-concrete-impeded door for the first time since late January.
I IMMEDIATELY went over to load up all the paint, brushes, tools, small canvases, and tchotchke that would safely fit in my truck, and headed out to Canyon, to tuck into the Roofing House as best I could.
I called Joanie and asked if I could take her up on her offer of a place to store my tables and frames, tools and glass- yes- so Art and I caravanned to Howe and loaded up as much as we could, and then to Richmond to unload my precious cargo to–Joanie’s Concrete Patio! Oh dear.
I had hallucinated a space in her giant garage where I had stored my camping gear and toys after Steve’s death–but it is full of another malingerer’s massive mouldering pile of god-knows-what . . A realization came that the lovely dark knotty-pine room was not really Available, either. Over a few visits I was able to tuck one table, easel, the frames, canvases and framing tools indoors, but I felt all at sea.
The day after Jude called I had a meltdown and a literal physical collapse on Art’s kitchen floor over a mis-communication about our relationship. I suddenly was unable to stand up or breath correctly- a complete existential panic that I had nowhere to be, that these little slivers of space I carve out in my life were all an illusion–and fading fast.
We worked things out, better than ever, but for a couple of weeks I was losing my mind- hell, it was half of August and September . . . except for the Lakes.
And then, the helpful words of a “mentor”, teacher, about, uh, Framing? and having a Studio? Why? and what For? made me really look at What The Hell Am I Doing . . . threw it ALL up into the proverbial air. For reassessment purposes only.
So, really, am I BEING AN ARTIST, or just Doin Stuff, and what difference does it make, except–what to do with all the physical Product, weird format frames and glass that are not fitting together, my actual Clean worktable outside by the trash bins. I am seriously addressing what all this stuff is really for, and why I have it- It’s so uncertain, but sorta fun.
When I had the shop, I gathered things with a hunger I no longer have room for, and don’t really know what the future holds. I am doing so many tiny bits in sketchbooks and corners and scraps of wood.
So what to do, but just keep on keepin on.
Throughout spring and summer I have been doing a lot of work on the Roofing House, while unable to get into Howe- scraping plaster off the plywood interior, I scrape, dust, then patch with Zinsser 1-2-3 in short rectangular brush strokes , sand, touch up with paint patches of color, purple sky, blue sky, pink sky, as I go along.
With Art’s help, moving out about 2 dozen motors, machinery, dozens of cans of dead house paint, spray paint, tubes of caulk and construction adhesive and the like–and there is more–oily, filthy, nasty stuff, much of which went to hazardous waste recycling. Recall we had leveled the supports after the Incident of the Falling Tree.
We reconfigured some of the shelving to make a long tall work bench, and have developed a fantasy of installing the 58″ square sectioned french window we bought for the house-that-became-a-deck. It would be nice to have some natural light, and a reading chair back there–maybe next year.
I have started taking advantage of three empty filing cabinets that aren’t going anywhere soon, and plan to keep one that has cool half-deep drawers.
Stuff in, stuff out. It’s chaos, but it keeps shifting and getting a bit clearer, and is so special to have all my things right at hand, nobody chewing on my brushes and peeing on my art while I am gone. I can see down the tracks and up the path, and no one knows I’m here.
Somewhere in here I lost my faux enthusiasm for things I did twice weekly in the Before Times. Playing music for beer and french fries, struggling to herd cats and possums and hippies without a paddle, etc. I knew right away the RELIEF!!! of not having to Stop whatever I was doing, Stage myself in Berkeley, Pack and Haul equipment up and down stairs and around the corner to play for two hours to an empty venue for a half-cheeseburger, half-pitcher of beer, and $3 in tips. Well, it was a good run, mostly fun until the backstabbing started. What a relief, yes, three months in, to say I am done, and DONE.
Tara and I have been working on new material since shortly after the shut-down-in-place began, me taking the lead vocal on several of her tunes, almost out of my range. My voice is getting stronger and clearer, and I have managed to maintain calluses on my fingertips. Since his arm injury from the Serenellini at the last Polka Cowboys gig, Art has taken up electric guitar with a vengeance.
Gomer and Tara came to Canyon last Sunday to join in a live facebook event, and luckily I was unable to bypass my three Apple devices’ security filters to broadcast. We ended up with six delightful–to me, anyway–recordings that I was able to post later. Had it been live, considering the difficulties, it would have been worse than unwatchable. My hair was clean and fluffy, the weather sublime, Art’s wacky shack a perfect backdrop–plastic window and all. I was in fine voice, and did a song of Tara’s, sans bass, that I barely knew: Twilight Moonrise. She did Love of a Good Cat. Gomer was the grip and tech advisor, and positioned my iPhone behind the Woodstock wood stove, cutting off our legs. The quality of the iPhone 4 voice recording was astonishing.
check it out- Var Mints on facebook. I won’t go, but you can.
I don’t see any venues opening anytime soon. Even then, how will people react to a SINGER? Run in horror? Come at me with torches and pitchforks? Mask-shaming on facebook? Yes, I have seen it.
I can barely picture sitting in a window box, like at Giovanni’s, as customers drift by or stand on line to pick up to-go orders. Maybe a stage way at the back of an empty 30-foot patio? There are no festivals for the foreseeable, even outdoors. The sandwich board at Caffe Chiave still says “Live Music”, but it is only a shadow of the past. The Missouri Lounge is gone.
It is a New World.
We are livin the life here in Canyon, I planted two apple trees and a bunch of pepper and cherry tomato plants, beets, onions and whatnot, wiring everything against the marauding deer. I am scrounging soil from everywhere to build up terraces over the rocky subsoil. Art built a sawbuck and uses my chainsaw to make firewood (and sawdust) of the many redwood and bay branches and random long pieces of old lumber that are scattered everywhere. It’s great to be able to get so much done, without all the pesky distractions of public life.
Art and I joined an online video chat/party with some other folks, they gather often but we only attended once, for about an hour. Some people go on and on, some not speaking at all, devolving into the same talk of cures and illnesses and other distressing foolishness I prefer not to partake of. When I go to a party, I usually hang out in the garage with the stoners– a group of 12 people is too much.
Now and then I spend two or three days in Berkeley, where it is clean civilized and quiet, mostly (avoiding the front doorknob is a challenge)-Stuff to do there, too!
I do a little garden work, though with not much enthusiasm. I am enjoying being retired, cutting back but not eliminating.
I have been visiting back and forth with Joanie and working up more of her songs. Art injured his arm just as the lockdown happened, so he has barely played his accordions since, daily practicing electric guitar on youtube.
As I have the Capricorn stellium moving into my 12th house, I am setting up my retreat, practicing hermitage in my understory studio, befriending little black scorpions that live under every wooden structure here–plus moles? voles?