calligraphy, desert landscapes, odd animal portraits

Summer 2021 Landscapes

I keep my old iPhone 4 in the Roofing House as a handy little snap-camera to document my daily sketching, and can easily download images to my laptop there.

I have tasked myself with filling my partial sketchbooks. The challenge increased when I was given two small spiral books with tinted paper in olive and mustard. I shouldn’t randomly start a new sketchbook with so many undone, but the colored backgrounds are too tempting.

Haven’t been to the desert in such a long time, I decided to copy a postcard from Mojave National Preserve using caran d’ache watercolor pencils and white Posca pen on mustard sketch paper. Two exposures. I used a waterbrush with a water-black ink mix, pulling dark blue shadow lines from inside the tangles of rocks, cholla, junipers and sage. The photograph loses some of the subtlety of the yucca leaves and shadows.

In mid-June I sketched these little copies of 2 paintings by Andie Thrams, using watercolor, white gouache, and color pencil on olive paper. These shots from my bed in morning light, with the refurbished-iPhone 6 camera.

copy of – ‘pacific wren’ – by andie thrams
copy of – ‘enchantment’ – by andie thrams

This is a painting I did around June 16, from a magazine photo of an installation by Patrick Daugherty. White is posca and signo gel pen, on black sketchbook paper, plus gouache and watercolor. Again, so shocking to see the differnce between the painting and the photo. Like digitised music, so lossy! So unsubtle!

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